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Sections & Segments

The ForgeAssembler mental model has three levels. Understanding them makes everything else in the UI feel obvious.

The hierarchy

Project
├── Output settings (resolution, channels, audio, metadata)
└── Sections (list, top-to-bottom = playback order)
    ├── Section 1
    │   ├── Leading joiner (cut / fade-to-black from previous)
    │   ├── Segments (your clips, played one after another)
    │   └── Overlays (image, audio, text — see Overlays page)
    ├── Section 2
    └── …

A Section is a logical unit that becomes one chapter in the final MP4. You name it (the chapter name) and you can drop overlays on it that span the whole section.

A Segment is a single clip within a section. Segments inside a section cut straight into each other — no transition between them.

When to start a new section vs extend one

Start a new section when:

  • The new clip is a different scene, subject, or beat
  • You want a chapter boundary for navigation in your player
  • You want a fade-to-black separating it from what came before
  • You want a different overlay (image, music, title card) on this stretch

Extend an existing section when:

  • The new clip is a continuation of the current scene
  • You want the overlays of the current section to keep playing over the new clip
  • You want no visible transition between the clips

The five Add Clips modes

The bottom-of-tab Add Clips panel offers five modes. They map directly to the section model:

Mode What it does
NEW ONE section All added clips become one new section (single chapter)
SEPARATE NEW sections Each clip becomes its own section (one chapter per clip)
Into LAST section Clips cut straight into the bottom section
OVERLAY on LAST section File becomes an image or audio overlay on the last section
TEXT on LAST section Opens a text overlay form for the last section

The first two are the workhorses for building a new project. The third is how you extend a section. The last two are for overlays.

Editing a section (focus mode)

Click the 📝 in any section's header to focus on it. The other sections collapse to one-line summary rows ("Section N · chapter · M clips · duration") so you can keep your eye on the one you're working on. The focused section shows the full controls plus three extra affordances:

  • ⬆ Insert above — insert a new empty section before this one, focus auto-jumps to the new section so you can drop a clip in.
  • ⬇ Insert below — same, but after.
  • Add Clips form (in-card) — drop a path right inside the focused card and it lands in this section. Radio modes adapt: "Into THIS section (cut-join)", overlay, text. The two NEW-section modes are also available if you want to bulk-load from this point.

When you're done, click the orange Done editing button at the bottom of the focused card. All sections expand again.

Per-segment controls

Each segment card exposes:

  • 🔄 Replace — swap this clip's video file for another via a native file picker. Section overlays and joiner stay; funscripts auto-rescan against the new file's siblings.
  • ✕ Remove — drop the segment.
  • ✂ Split clip at time… — expand for a small form that splits a single video at a timestamp from the source file (see below).
  • Thumbnail + duration + detected funscript channels — read-only.

Between two consecutive clips inside a section, a small + button appears. It adds a transition there — and because a joiner lives on a section boundary, adding one splits the section into two at that point: clips below the cut become a new section, with a chapter marker of their own. Section overlays redistribute by their time window: anything entirely in the top half stays; anything entirely in the bottom half moves with adjusted timing; overlays straddling the boundary split into two.

✂ Trimming a clip

You can cut INSIDE a single clip — no need to pre-split the file with ffmpeg first. Click the clip to open the Inspector, and on its Source tab park the playhead and press Set in / Set out.

Both are positions in the source video file, not offsets from where the piece starts in your project, so the math stays obvious however far you slice. The scene strip above the player shades the regions you are throwing away, and the readout shows the piece's bounds in source coordinates:

Source file: bigvideo.mp4 (01:00:00.000 long)

This piece plays 00:30:00.000 → 01:00:00.000 of the source file.

Trims are stored as trim_start / trim_end on the segment, so the same source file can appear more than once in a project with different bounds — which is how you get two pieces out of one long video.

When you click Split here (becomes new section):

  • The clip becomes two pieces. Both reference the same underlying file; the trim window narrows on each side of the cut.
  • The second piece auto-promotes to a new section (= a new chapter in the final MP4).
  • Section overlays redistribute the same way as the inter-clip 🔪 Split here (the two operations share the same engine).

This single feature covers four use cases:

To do this… …after the split
Multi-chapter in one long video Keep both pieces
Trim the start Delete the first piece (✕ Remove the first new section)
Trim the end Delete the second piece
Mid-video fade-to-black Set the new section's leading joiner to fade-to-black

The timestamps you type always refer to the original file, no matter how many times you split. So you can slice top-down or bottom-up — same result either way. No mental arithmetic.

Section naming

Each section has a name input at the top. The name becomes the MP4 chapter title, and it shows in VLC / File Explorer / Plex. Use short, descriptive names — "Opening card", "Pour sequence", "Closer".

Chapter markers in the final output

Every section produces one chapter entry in the MP4 container. VLC briefly overlays the chapter title when you seek into it. If you leave the section name blank, the chapter falls back to Section N.

Next: Overlays — how to drop an image logo, a music bed, or a title card on top of a section.